Wednesday, November 25, 2009

Guitar Scales For Country Music

The trick with music theory is to break everything down into
baby-step i.e., guitar scales for country music, guitar scales
for bluegrass music, guitar scales for jazz music, guitar scales
for rock music.

Let's say your primary style of music is country music. We could
subdivide the subject of music theory into: what guitar scales
for country, what chord progressions for country, what style of
country music, what guitar techniques for country.

What guitar scales for country:

major pentatonic, major diatonic, cascading scales ...

What chord progressions for country:

two chord songs, three chord songs, four chord songs ...

What style of country music:

Traditional country, modern country, country rock ... What guitar techniques for country:

Hammer-on's, pull-off's, bends, slides ...

As you zero in on the specific skills you need to learn the
complex subject of music theory becomes a lot less stressful
and much more achievable.

By dividing and sub diving any complex subject you also learn how
to accelerate your progress on guitar. The scales you would
learn for country guitar would be determined by what style of
country music you intended to play.

Instead of just saying "I want to play country guitar", if you
are prepared to dig a little deeper, you will decrease the amount
of information and skills you need to acquire by looking at each
area of country guitar playing i.e., chord progressions, if you
predominately played three chord songs in the keys of G and D,
you would only have to learn four chord shapes.

Three chord songs in key of G: G - C - D

Three chord songs in key of D: D - G - A

Although country guitar has spawned no shortage of modern greats
(Albert Lee, Ray Flacke, Danny Gatton, and the Hellecasters come
quickly to mind, although there are many others) in general,
however the music buying public doesn't really know how hip and
entertaining instrumental country guitar is.

Here's ten top country guitarists to get listening for specific
country guitar playing techniques.

1. Chet Atkins

2. Merle Travis

3. Jerry Reed

4. Roy Clark

5. Hank Garland

6. Albert Lee

7. Maybelle Carter

8. Doc Watson

9. Norman Blake

10. Tony Rice

The classic electric guitar sound for country music is
characterized by the undistorted sound of single-coil guitar
pickups, usually a Fender Telecaster or Fender Stratocaster, and
the employment of fairly undistorted amplification most often a
Fender Twin Reverb 100watt amp.

Guitar scales for country music are: major Pentatonic, major
diatonic, and to a lesser degree the minor pentatonic scale and
the blues scale.

The most popular guitar scales for country music are without
doubt the major pentatonic. the two most common ways of playing
this scale for country music is:

A major pentatonic scale (PATTERN 1)

sixth string, fifth fret, fourth finger

fifth string, second fret, first finger

fifth string, fourth fret, third finger

fourth string, second fret, first finger

fourth string, fourth fret, third finger

third string, second fret, first finger

third string, fourth fret, third finger

second string, second fret, first finger

second string, fifth fret, fourth finger

first string, second fret, first finger

first string, fifth fret, fourth finger

A major pentatonic scale (PATTERN 2)

sixth string, fifth fret, first finger

sixth string, seventh fret, third finger

sixth string, ninth fret, third finger

fifth string, seventh fret, first finger

fifth string, ninth fret, third finger

fourth string, seventh fret, first finger

fourth string, ninth fret, third finger

fourth string, eleventh fret, third finger

third string, ninth fret, first finger

third string, eleventh fret, third finger

second string, tenth fret, second finger

The fingering for the A major pentatonic scale (pattern 2) may
seem a little unusual at first, however with a little practice,
it will work out fine.

Both these patterns feature the same notes in the same
sequence, if you play each scale slowly and listen carefully you
will notice however a tone from certain notes, this is because
the notes are being playing on different strings resulting in a
different tone. Thicker strings produce a more mellow tone.

By learning these guitar scales for country guitar you will soon
be playing your favorite country guitar sounds.




Mike Hayes is a teacher, author, speaker and consultant. Get his tips and tested strategies proven to boost your guitar playing his membership site at http://www.guitarcoaching.com today

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Friday, November 20, 2009

David Sanborn Backstreet Jazz Music CD Review

Super talented Jazz artist David Sanborn has released him latest CD on the Warner Bros. Records recording label, entitled Backstreet.

It's a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I'm more than happy to announce that’s exactly what I must say about this one. There simply isn’t a bad one in the bunch. No fillers here at all.

Backstreet has a nicely varied, mix of 8 tracks that are very well written songs by this clearly outstanding artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are him own real life experiences. At different points touching on the most real emotions like love, and the pain of failed relationships can certainly be heard.

Listen to Backstreet and I believe you’ll find there's not much to dis-like about it. The songs are inspired, the production is simply outstanding, and David Sanborn is clearly in top form. So much so that if you're even mildly into Jazz music you'll enjoy this album.

While the entire album is really very good some of my favorites are track 1 - I Told U So, track 7 - Blue Beach, and track 8 - Neither One Of Us

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 5 - A Tear For Crystal. This is a great track!

Backstreet Release Notes:

David Sanborn originally released Backstreet on October 25, 1990 on the Warner Bros. Records label.

CD Track List Follows:

1. I Told U So

2. When You Smile At Me

3. Believer

4. Backstreet

5. Tear For Crystal, A

6. Bums Cathedral

7. Blue Beach

8. Neither One Of Us

Personnel: David Sanborn (soprano & alto saxophones); Marcus Miller (acoustic & electric guitars, piano, Fender Rhodes piano, synthesizers, bass, steel drums, tympani, percussion, vocoder, background vocals); Michael Colina (piano, vocoder, synthesizers); Buzz Feiten, Hiram Bullock (guitar); Steve Gadd (drums); Ralph MacDonald (congas, percussion); Luther Vandross, Tawatha Agee, Yvonne Lewis, Barry Johnson (background vocals).

Producers: Marcus Miller, Ray Bardani, Michael Colina.




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Saturday, November 14, 2009

By Staying in a Power and Light Hotel, You Are Ideally Placed to Enjoy the Music of Kansas City

Those prolific songwriters Leiber and Stoller knew what they were doing when they wrote the rock and roll classic, "Kansas City." For those staying at a Power and Light hotel, there will be no doubt that the city is home to a strong musical heritage.

The song was a celebration and homage to a city that has always had music at its heart. The Beatles recorded the song and performed it at a concert in the city to a rapturous reception. For those who have yet to experience the excitement of Kansas City firsthand, you will want to know all about the City Power and Light District. By staying at a hotel located in the area, you are guaranteed a sensational stay. The whole area is a magical musical experience following one of the largest new development projects in the Midwest.

Specifically designed with visitors in mind, a mixture of dining, retail and entertainment means that you can be sure of finding just what you're looking for. And there's no need to worry if you're there on business, because conventioneers can look forward to superb facilities and all the great attractions that those vacationing can enjoy.

So what can you expect when you stay in a Power and Light hotel? Never being bored, for sure. If it's a dining experience you're after, you will almost be spoiled for choice. Whether your taste extends to Italian, Asian, Mexican or practically any kind of food, you will be catered for at one of the area's many superb eateries.

There is a wide choice of places to sate your appetite, and then if you fancy a drink, you'll probably need to order a second dessert while you choose where to go for a drink. How about an Irish bar? Fancy something a little upmarket? Then give the piano bar a go. Perhaps you're on a health kick or you're just not into alcohol. No problem, there's a superb smoothie bar and as you would expect, lots of places for after dinner coffee.

But what of the music of Kansas City? Well, that's what's so great about staying in a Power and Light hotel. Many of the places mentioned will have live music and of course, there's many dedicated music venues to choose from.

You can't come to Kansas without feeling the beat of jazz music all around you, so why not visit a club or an event? For jazz fans, it's a dream come true, but even if you think jazz isn't your thing, you'll be hard pressed not to find you feet tapping along to the infectious rhythms you will hear all around.

Jazz cafes, jazz bars, jazz on the street. It's the sound of Kansas and it will be the soundtrack to your stay. Of course, if your musical tastes lie elsewhere, there's no need to worry.

Carrying on a tradition that goes back to the Beatles and beyond, the biggest acts in the world play in Kansas. There's also the opportunity to listen to pretty much every kind of music you can imagine. If country music is your thing, then you're in luck. If the blues are your idea of musical heaven, then there are lots on options to explore.

Kansas City is many things. It's a center for business, it's a great place to vacation, to eat, dance and spend time with family and friends. But perhaps most of all, Kansas City is a music city. Staying in a Power and Light hotel will mean that you're ideally placed to make the most of everything the city has to offer.




Andy West is a writer on a variety of topics, including travel. Whether you stay at a Power and Light hotel or a Sprint Center hotel, there are many great places to stay when visiting Kansas City.

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Wednesday, November 4, 2009

Stanley Clarke I Wanna Play For You Jazz Music CD Review

Very talented Jazz artist Stanley Clarke has released him latest CD titled I Wanna Play For You and Wow! It’s really a good one.

I Wanna Play For You literally grabs your attention right from the beginning with I Wanna Play For You and doesn't let go until the very last note of the very last song Hot Fun-Closing, which is another great track by the way.

These days it’s a very rare CD on which every single song is good or better than the one before it. This CD is certainly one of those rare CDs.

Listen to and I think you’ll agree that the song choices are excellent, the production is outstanding and Stanley Clarke is clearly in top form.

While this entire album is really very good the truly standout tunes are track 2 - Just A Feeling, track 3 - The Streets Of Philadelphia, and track 9 - Jamaican Boy.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - I Wanna Play For You. It’s a great track!

I Wanna Play For You Release Notes:

Stanley Clarke originally released I Wanna Play For You on May 10, 1994 on the Epic label.

CD Track List Follows:

1. I Wanna Play For You 2. Just A Feeling 3. Streets Of Philadelphia, The 4. Together Again 5. Blues For Mingus 6. Strange Weather 7. Quiet Afternoon - (live) 8. Rock 'N' Roll Jelly - (live) 9. Jamaican Boy 10. My Greatest Hits - (live) 11. School Days - (live) 12. Hot Fun-Closing - (live)

Personnel includes: Stanley Clarke (vocals, various instruments, guitar, Oberheim synthesizer, acoustic, electric & piccolo basses); Gwen Owens, Cathy Carson, Juanita Curiel (vocals); Al Williams (soprano & baritone saxophones); Bob Malach (tenor saxophone); Tom Scott (lyricon); James Tinsley, Al Harrison (trumpet); Freddie Hubbard (flugelhorn); Michael Garson (piano, Fender Rhodes piano, Oberheim synthesizer); Bayete Todd Cochran (piano, organ, Oberheim & ARP 2600 synthesizers); Ronnie Foster (piano); George Duke (Yamaha electric piano); Phil Jost (organ); Lee Ritenour, Raymond Gomez, Jeff Beck (electric guitar); Darryl Brown (drums, cymbals); Harvey Mason, Steve Gadd (drums); Dee Dee Bridgewater (background vocals).




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Sunday, November 1, 2009

Weather Report Heavy Weather Jazz Music CD Review

The exceptionally talented Jazz group Weather Report have released their CD entitled Heavy Weather. I am very confident and happy to announce that I believe Weather Report fans, and Jazz fans alike will be pleased with this one. With the release of Heavy Weather their artistic excellence is on full display as they have once again delivered a brilliant collection of tracks that could very well be their best work to date.

I wish it weren’t the case but, it’s not everyday that I get a CD for review that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can’t force myself to get through. Not at all the case with Heavy Weather. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Heavy Weather is a nicely varied, mix of 8 tracks that are very well written and brilliantly performed songs by these clearly superb musicians. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Seemingly drawing from what I can only imagine are their own real life experiences. At different points touching on the most real emotions of love, heartbreak, pain, failed relationships and unattainable romance. They’re all here.

Listen to this CD and I believe you’ll find there's not much to dis-like about it. The songs are inspired, the production is simply outstanding, and this is clearly the work of a group of musicians in top form. So much so that if you're even mildly into Jazz music you'll enjoy this CD.

While the entire CD is really very good the truly standout tunes are track 2 - A Remark You Made, track 5 - Rumba Mama, and track 8 - Havona.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Birdland. This is a great track!

Heavy Weather Release Notes:

Weather Report originally released Heavy Weather on September 23, 1997 on the Legacy Recordings label.

CD Track List Follows:

1. Birdland 2. A Remark You Made 3. Teen Town 4. Harlequin 5. Rumba Mama 6. Palladium 7. Juggler, The 8. Havona

Weather Report: Joe Zawinul (vocals, piano, synthesizer, melodica); Jaco Pastorius (vocals, fretless bass, mando-cello, drums, steel drums); Manolo Bandrena (vocals, percussion); Wayne Shorter (soprano & tenor saxophones); Alex Acuna (drums, percussion).

Recorded at Devonshire Sound Studios, North Hollywood, California. Includes liner notes by John Ephland.




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